Department Banner


Our next show will open August 29, 2016.


Edith Abeyta, Susan Connell, Raoul De la Sota, Dawn Ertl, Kiyomi Fukui, Betsy Lohrer Hall,
Chuck Hohng, Peter Liashkov, Tina Linville, Victoria May, Laurel Paley, Lorenzo Hurtado Segovia,
Marianne Sadowski, Lisa Solomon, Ruth Katzenstein Souza

August 29 - September 22, 2016
Reception: Sept. 8, 7-9 p.m.
Artists' Talk: Sept. 13 at 1 p.m.


...Thread connects this world with the next and all beings to one another. - The Upanishads

Thread can mend, ensnare, embellish or bind.  It can act as a connector between different elements or different worlds.  It can also tangle and create either a warm nest or a disaster.  It can be web-like and fragile, or thick, twined and tough.  It can lead the way or draw the line.  Though ambiguous as a metaphor, thread is most frequently equated with fate and time and boundaries.

This exhibition focuses on both the material and metaphorical aspects of thread.  Each of the fifteen artists in the exhibit has a distinct approach to the use and subject of thread.

Edith Abeyta presents an audience participatory installation work titled, Invasive Summer comprised of four elements: Land-a large fabric surface with holes; Plants-screen printed wallpaper of Japanese Knotweed plant depicted from both above and below ground; Rocks-fabric rocks made from T-shirts; Humans-who then try to get the rocks into the holes.

Susan Connell exhibits exquisite paintings depicting the 19th Century-style embroidery of her mother's wedding dress, and the sheerest of gauze, baby Christening clothes.

Raoul De la Sota shows collaged landscapes made of fragments of fabrics gathered from assorted friends and from the back-of-the-closet.  His abstract landscapes have the warmth of handmade quilts, implied by the cloth piecework.

Dawn Ertl presents an elegant installation comprised of suspended, open-weave, thread panels.  Each panel, while abstract, refers to specific weather pattern/mapping.

Kiyomi Fukui exhibits delicate tatting, an early 19th Century technique of making lace through knotting and looping thread.  Fukui's work stems from her connection to her mother, who taught her to tat in the last months of her life.

Betsy Lohrer Hall shows a subtle 2-D visual poem in which pieces of torn paper are joined with thread, each element affecting the next: a needle/working with holes and/strong tiny strands,/threads a pathway through.  -Betsy Lohrer Hall

Chuck Hohng exhibits a tender, large-scale stuffed teddy bear who is bound by thread.

Peter Liashkov presents an image from a well-known Russian folk-tale, painted by his mother. The artist has printed this image, via a photo transfer process, on the taut threads that make up metal window screening.

Through intuitive manipulation of thread, fabrics, salvaged objects, tape and mixed media, Tina Linville creates fanciful abstract forms.  Her instinctive yet careful process seems to be both labor intensive and spontaneous - a rare combination.
Victoria May presents Collateral Damage, a mixed media installation in which the human vein and capillary systems are depicted in red embroidery.  Medical IV apparatus accompanies this figure where red thread equals blood.

Laurel Paley exhibits The World's Longest Potholder, an audience participatory installation of potholders woven from donated, worn-out socks. The potholders are attached end-to-end, to create a long chain that festoons the space it occupies.

Lorenzo Hurtado Segovia presents embroidered abstractions that walk the line visually, between oil painting and thread work. Often inspired by traditional Latin American craftwork, Segovia explores a territory that mingles fine art and craft.

Marianne Sadowski exhibits a full-scale human figure made from Amate, a traditional Mexican, fibrous paper made from beaten and pulverized wood.  The paper is comprised of threadlike, veined structures.

Lisa Solomon presents intricate embroidered walls works that stem from a deep connection to repetitive traditional craft work yet she explores the realm of the history of fine art painting in her choices of scale, color and implied subject matter.  Through the choice of thread as media, Solomon treads the uneasy divide between art and craft.

Ruth Katzenstein Souza shows a unique version of the traditional mending box in which her tools and materials, including needles, yarn and spools of thread, imply potential and manifest connection to ancestral influence.   Additionally Souza presents Shadow Coat - Ghost Stitching in which the garment represents her life and human relationship with the spiritual.


Chuck Hohng; Burden; Mixed Media

Chuck Hohng; Burden; Mixed Media


Dawn Ertl; Short Term, Long Term, Relationships; Mixed Media

Dawn Ertl; Short Term, Long Term, Relationships;
Mixed Media


Dawn Ertl; Short Term, Long Term, Relationships (Detail); Mixed Media

Dawn Ertl; Short Term, Long Term, Relationships (detail);
Mixed Media

Tina Linville; Squaring the Circle; Mixed Media

Tina Linville; Squaring the Circle; Mixed Media

Peter Liashkov;  Vasilisa in LA; Mixed Media

Peter Liashkov;  Vasilisa in LA; Mixed Media

   Kiyomi Fukui; Tatting; tatting done  with embroidery thread

   Kiyomi Fukui; Tatting;  tatting done  with embroidery thread

   Lisa Solomon; Sen Samurai (detail); Embroidery with Mixed Media

   Lisa Solomon; Sen Samurai (detail);  Embroidery with Mixed Media


 Last Published 7/14/16